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What is a coffee machine actually? In order to brew espresso without necessarily having to boil water in the separate box is done through the use of any coffee machine. You will require grinded expensive or perhaps cheap coffee beans. Some home coffee machines feature a coffee grinding machine, that you can place the beans […]

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Ever wander through a supermarket and past the open refrigerated cases that house cream cheese, butter and OJ? The refrigerated shelves are protected by jets of air that blow across the front. These jets form an air shield to keep the warm air out.

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Andrea Arnold’s adaptation of the Emily Brontë classic strips away all the period-drama cliches to create a passionate, elemental drama

Heathcliff: two syllables conjuring desolate space and dizzying altitude. The two ideas are well represented in this brilliant, visceral, though flawed version of the Emily Brontë novel, a daring raid behind the lines of heritage English Lit. Director Andrea Arnold and cinematographer Robbie Ryan strip the story ruthlessly down t o its bare essentials: pain, anger and love.

From the start, the film sweeps away the period choreography of the conventional literary adaptation, sweeps it away so thoroughly that for the first few minutes I thought that this Wuthering Heights must be set a hundred years after a nuclear strike. This version brings the story back to a kind of social-realist year zero. It dispenses with the “flashback” overture, plunging more or less straight into the action, but ? like the 1939 William Wyler version with Laurence Olivier ? it restricts itself to the “first generation” half of the book.

The real, unpretty toughness of the Yorkshire moor has perhaps never been represented more matter-of-factly, nor the hardscrabble existence of those who might have really lived in that farmhouse in the 19th century. This world is elemental, almost primeval, and the gap between human and beast is narrowed. Heathcliff is reimagined, not as the vaguely exotic dark-skinned Gypsy, but as simply black, and confronted with overt and brutal racism from those of his new family who resent the outsider, and are determined to treat him like any farm animal.

Played as a youth by Solomon Glave, Heathcliff is a homeless foundling, discovered on the streets of Liverpool by the taciturn Mr Earnshaw (Paul Hilton). In the distinctly accusatory spirit of Christian charity, Mr Earnshaw brings Heathcliff back to live at the grimly remote Wuthering Heights to earn his keep with labour, but also to live as an equal with the two children: the older boy Hindley (Lee Shaw) and the younger girl Cathy (Shannon Beer). Almost immediately, Heathcliff runs wild with Cathy on the moor all the livelong day, a passionate childhood romance, heedlessly erotic, innocent in a knowing way, protected and made more glorious by their supposed sibling relationship.

They go riding together on one horse: Heathcliff leans in and inhales the perfume from Cathy’s hair while stroking and kneading his horse’s flank. When Heathcliff is beaten for insolence and idleness, Cathy literally licks his wounds: an ecstatic moment of transgression and defiance. But as they grow to adulthood, Cathy accepts a marriage proposal from the rich neighbour Edgar Linton (James Northcote); deeply angered and hurt, Heathcliff runs away and returns years later as a man, obsessed with love and vengeance, intent on the reopening of wounds. Now he is played by James Howson, and Cathy by Kaya Scodelario.

In the most extraordinary way, Arnold achieves a kind of pre-literary reality effect. Her film is not presented as another layer of interpretation, superimposed on a classic’s frills and those of all the other remembered versions, but an attempt to create something that might have existed before the book, something on which the book might have been based, a raw semi-articulate series of events, later polished and refined as a literary gemstone. That is an illusion, of course, but a convincing and thrilling one.

Perhaps above everything else, Arnold returns us to the most potent fact about the Cathy and Heathcliff love affair: it is a love affair between equals, not between a woman with coquettish “erotic capital” and a man with property and status. Cathy and Heathcliff are both outsiders: the woman dependent for her future on a marriage proposal, the man on a benefactor’s charity. And it is a love story between children; it is as children that their love is happiest and most uncompromised and, probably, most clearly doomed.

That said, the decision to use two separate actors to play Cathy and Heathcliff, in their younger and older guises, was for me a little uncomfortable: it is understandable, of course, but the younger leads are, in fact, not so very young, and their later selves are not so very much older, and the apparent transformation is an oddly artificial effect.

It is a minor consideration, given that there is so much in Arnold’s film that is exhilarating. There is a scene in which characters savour the wild windiness of a hilltop that reminded me of people doing very much the same thing at the top of a grim tower block, with an open window, in her 2006 movie Red Road, and yet the comparison isn’t ironic. The landscape is desentimentalised so deliberately that it could be urban, the crags and fields could as well be concrete walkways, but they retain a stark beauty, and Arnold and Ryan are challenging what we think of as beautiful in the first place. The film gave me something I never expect to get from any classic literary adaptation: the shock of the new.

Rating: 4/5

Source: http://www.guardian.co.uk/film/2011/nov/10/wuthering-heights-film-review

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Philips remains Europe’s largest consumer electronics firm but it reported an 85% decline in net third quarter profit

Philips, the Dutch electronics group, has underscored the harsh prospects for European industry by cutting 4,500 jobs as part of an ?800m (£698m) savings programme.

Its came as the European commission prepared to release a report on Tuesday showing EU industrial firms lagging further behind US and Asian competitors in research and innovation.

Máire Geoghegan-Quinn, commissioner for research, innovation and science, told the Guardian: “We are facing an innovation emergency. We need much more innovation in Europe, and we need it fast, otherwise we risk being left behind in the global R&D race.”

Germany’s central bank added to the sense of crisis in the real economy by forecasting a cold winter for manufacturing as orders for German firms from outside the EU are set to dwindle. It said in its monthly report that economic prospects had darkened.

Philips remains Europe’s largest consumer electronics firm and a global leader in lighting but it reported an 85% decline in third quarter net profit to ?74m, from ?524m a year earlier. Sales were down 1.3% to ?5.39bn.

Frans van Houten, chief executive, said: “We are not yet satisfied with our current financial performance given the ongoing economic challenges, especially in Europe, and operational issues and risks. We do not expect to realise a material performance improvement in the near term.”

He said the 4,500 job losses, including 1,400 in the Netherlands, were “a regrettable but inevitable step to improve our operating model to become more agile, lean and competitive” and would provide 60% of the ?800m planned savings. Much of this, he suggested, would be reinvested in innovation.

Philips highlighted the relative decline of European industry by showing falling earnings at its two main divisions for higher growth ? lighting and healthcare. Operating profit at the former almost halved to ?110m and fell at the latter from ?282m to ?261m.

It no longer even counts the television business as a continuing operation since it is trying to dispose of 70% of it in a joint venture with China’s TPV. But negotiations to offload the TV business were taking longer than expected, it said.

Van Houten reiterated commitments to 3-4% sales growth and 10-12% operating margins by mid-2013 but admitted that the firm had a long way to go. It made a net ?1.3bn loss in the second quarter, has issued two profit warnings in seven months and is losing market share to low-cost Asian rivals. Its shares, down almost 40% this year, fell a further 2% in Amsterdam.

The latest “EU R&D investment scoreboard” for 2011 shows European companies’ investments in innovation up 6.1% in 2010 but those of US firms up 10% and of Chinese firms up 29.5%. Global R&D investment went up 4% last year after falling 1.9% in 2009.

Fifteen European companies figure in the first 50 globally, with Swiss pharmaceutical firm Roche in top spot followed by its US rival Pfizer. Only two British companies ? GlaxoSmithKline (16th) and AstraZeneca (29th) ? make it into the top 50.

More than two-thirds of EU R&D investment comes from Germany, the UK and France, with German firms, led by car-makers, showing the highest growth (8.1%) and UK companies (5.8%) outperforming French ones (3.8%).

The EU scoreboard shows signs of recovery in 2010 but Geoghegan-Quinn said the fact that firms were still lagging behind competitors showed conditions for business had to be improved further. The EU has a longstanding target for investment in innovation of 3% of GDP.

As the economic prospects darken, some carmakers are cutting back production and/or overtime at their European plants in the current quarter and the Bundesbank, the German central bank, said manufacturing would be hit hard by significantly weakened demand.

Source: http://www.guardian.co.uk/world/2011/oct/17/philips-job-cuts-european-industry

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Mike (not his real name) had always been an unusual child. Even as a toddler, he had ­difficulties relating to others and making friends, and he seemed strikingly ­suspicious of other people. After he entered high school, Mike became increasingly angry, paranoid and detached. He worried that people were searching his room and his locker when he was not around. His grades plum­meted as he turned ­inward during class, sketch­ing outlandish scenes in his note­books and muttering to himself rather than listening to the instructor.

Paranoia and difficulties connecting with others are signs of psychosis, a mental illness in which people lose touch with reality. Psychotic individuals usually have problems forming rational, coherent thoughts. They also may hear voices or hallucinate while believing that what they perceive is real. Often such delusions result in bizarre behavior and, in severe cases, an inability to ­manage every­day life. But a psychiatrist deemed Mike’s symptoms too mild to qualify him as psychotic. Mike obviously needed some kind of professional intervention, so he bounced among psychiatrists who could not figure out how to help him.

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With the end of the world behind us and another soon to come this October 21st, I thought it would be fun to write about dear old Harold Camping and his erroneous end-of-the-world theories . This topic fascinates me as I am a Biology and Religious Studies double major at the University of Nebraska-Lincoln. However, even I have to wonder how so many people could be fooled into thinking that the world was going to end back in May when the Bible does not even so much as hint toward an exact date. Quite to the contrary, the book itself clearly states that “only God in heaven knows” Matthew 24:36 and “let no one deceive you, for that day will not come” (2 Thessalonians 2:3). It is my humble opinion that the “Camping Incident” was the result of a mass brainwashing performed by an affluent speaker who happened to be in a position of authority, like the average politician.

As much as one would like to write the whole thing off as an obvious scam, in that Camping accumulated a substantial amount of money from his followers, there may be more to the story. What happened last spring was most likely a cult following of a religious fanatic who sincerely believed in his own theories. A large portion of the money was used to advertise the rapture and petition people to repent. In other words, the money collected was being recycled back into the group in order to expand the following and spread its propaganda. History shows no shortage of misguided leaders that sincerely believed their own lies, and Mr. Camping appears to be one of them. On the other hand, what about the rest of the bunch? What kind of person would readily accept an apocalypse message without any scientific cause or evidence?

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